Pacific Arc Handheld Rotary Lead Pointer 
Logan 271-20 Blades 20 Pk (For use with model 5000) 
Glassine Paper 40 gsm 24 x 36 in 
Winsor and Newton Permanent Masking Fluid 75 ml (2.5 OZ) 
Art Alternatives Sierra Aluminum Sketching Easel 
Speedball DIAZO Photo Emulsion Kit 
Excel No 92 Heavy Duty 2-Notch Utility Blade 5 Pk 
Winsor and Newton Lifting Preparation 75 ml (2.5 OZ) 
Excel No 59 Strip Cutter Blade 
Richeson Zoltan Szabo Covered Palette 12.5 x 8.75 x 0.75 in 
Winsor and Newton Watercolor Texture Medium 75 ml (2.5 OZ) 
Iwata Custom Micron Head Packing 
Lineco Book Binding Tool Kit 
Logan 440-1 Team System Plus Mat Cutter Handheld 40 in 
Mabef Lyre Easels M-11 
Excel Coping Saw 
Matisse French Painter's Taboret 
BEST Giant Dulce Easel 
Logan 270-100 Blades 100 Pk 
Creative Mark Lino Cutter Set of 12 
Daylight U35350 Gemini Floor Lamp 
Raynor OSS400 Drafting Kit 
Logan 269-100 Blades 100PK (For use with model 650, 650-1, 655, 655-1, 660, 660-1) 
Iwata Eclipse Handle (Single Cut) 
Creative Mark SmartBox - Supply Storage Box 
Speedball DIAZO Photo Emulsion 780ml (26.4 OZ) 
Grafix Laminating Film .005 3 Pk 9 x 12 in 
KUM Color-Combi 2 Hole Pencil Sharpener 
Winsor and Newton Blending and Glazing Medium 75 ml (2.5 OZ) 
Snazaroo Hi-Density Sponge Pack of 2 
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Fredrix Acrylic Primed Cotton Rolls - Style 583 Alabama 56 in x 6 Yds 
Pacific Arc ER-26 Erasing Shield 
Lineco Pure Methyl Cellulose 1.5 Oz (42.5g) 
Studio Design Deluxe Mobile Craft Station 24 x 36 in 
Logan 5000 8-Ply Handheld Mat Cutter 
Fundamentals Kids Easel 
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Creative Mark Banding Wheel 
Winsor and Newton Artisan Thinner 75 ml (2.5 OZ) 
Excel Hobby Knife Set 
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Description
Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer.
